12.21.07
Review: “Lars and The Real Girl”

The search for love begins outside the box
Lars and The Real Girl is a story about a man with a delusion. This man, Lars aka Mr Sunshine, is a sweet and shy soul living in a small town. He has difficulty being sociable and is not good with people. If they even so much as touch him, it is physically painful for him. A colleague at work introduces him to the idea of purchasing a sex-doll over the Internet. He does so, after not being really taken with the idea at first. A few days later, a huge box arrives. This is the arrival of Bianca, the love doll that causes all the trouble but fixes everything, without so much as saying a word. When Lars tells his brother, Gus, and sister-in-law, Karin, played by Paul Schneider (Assassination of Jesse James) and Emily Mortimer (Match Point, 30 Rock), that he has a visitor, they are extremely glad that he is being sociable. To their shock and horror, Bianca is cold, shiny plastic.
The only thing they can come up with is to take Lars to a shrink and disguise his mental help by taking Bianca along so she can receive a check up. The general practitioner/psychologist tells Gus and Karin that Lars has a delusion and needs this doll to work up the courage and strength to make it in a real relationship. By real I mean, a traditional man-women twosome. The shrink, Dagmar, played by Patricia Clarkson, tells them he will get over his delusion when he needs to, and that Bianca is in town for a reason. Gus and his wife pass on this news to the rest of community asking them to take part in making Bianca feel at home and act like it is actually a she.
They all do so, and this is where the story becomes remarkable. Margo, a new girl at Lars’ workplace, fancies him, but she has competition with Bianca. He continues to form a meaningful relationship with the doll for most of the film, but his delusion wears off when he realizes Margo has found another man. Needless to say, Bianca, who at this point almost feels like a character with blood running though her veins and a larger than life persona due to all the fuss she creates, is no longer needed, and Lars can finally pursue a relationship with Margo when she breaks it off with her boyfriend/colleague.
The direction and writing of the film is remarkable. The audience is drawn into this simple story with big heart, especially through the intense and honest performance by Ryan Gosling. I think the film had less to do with a man with a mental illness overcoming his imagined fears and more with a lonely man who is able to learn to accept others through human kindness and sensitivity. The film never felt overly calculated to me, and never seemed to be begging for sentimental laughs and tears; it had all the right ingredients to make it a memorable sensitive comedy-drama. I loved it so much that I saw it twice in two days.
Fatac Rating: ****
Lars and The Real Girl. Directed by: Craig Gillespie, written by Nancy Oliver, starring Ryan Gosling, Emily Mortimer, Paul Schneider, Patricia Clarkson and Kelli Garner. Running Time: 106 minutes. Age Restriction: PG13. UA 2007. Rating out of five stars.





“The Curious Case of Juno MacGuff” « Fataculture said,
February 8, 2008 at 8:40 pm
[...] When buzz started building for Miss Ellen Page’s performance in the indie dramedy, Juno, as well as for the film itself, I thought nothing of it. Or at least I never expected it to go as far as it has gone, being the hit comedy of 2007, popular with audiences and critics. Of course when I learnt of this buzz, I had not seen the film, nor was it in Fataculture’s Top 20 Must-See List for 2007. Roger Ebert said Page’s performance was worthy of “a best actress nomination“, and some people started jumping on the bandwagon, including me. It seemed like a promising indie film at the time, but not the “little film that could”. Suffice to say, it is the “little film that did and may even walk away with the Oscar”. I always knew it would be noticed for Diablo Cody’s screenplay and Page’s performance, but I thought that Best Picture and Best Director nominations were just a little fantasy I conjured up in my head. Apparently not. I am not even sure when it managed to push through and become a contender for Best Pic, but it may have been when people realised that the majority of the “good” films in 2007 tackled dark subject matter, and, to a certain extent, harsh and almost depressing material. Juno is the lightest dramedy when compared to other indie hits like “The Savages” or “Lars and the Real Girl“. [...]